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"Thought and Word" by William Allingham is a reflective poem that explores the relationship between thoughts and their expression through words. As a poet, Allingham may delve into the profound connection between internal contemplation and the external manifestation of ideas.In "Thought and Word," readers can anticipate Allingham's lyrical style and thoughtful exploration of the intricacies of human expression. The poem likely touches upon the power of language to convey complex emotions and thoughts, as well as the nuances involved in translating internal reflections into tangible words.Allingham, known for his works that often celebrate nature and capture the essence of the human experience, may infuse "Thought and Word" with imagery and metaphor to convey the beauty and challenges inherent in the interplay between thought and language.

"Three Women" is a poem by Ella Wheeler Wilcox that delves into the complexity of relationships between women. In this piece, Wilcox explores the dynamic interactions and emotions that can exist among women, highlighting themes of friendship, rivalry, and support.The poem likely portrays three distinct women, each representing different aspects of femininity or personality traits. Wilcox may use these characters to illustrate the diverse experiences and perspectives of women in society.Through "Three Women," readers can expect Wilcox's characteristic use of lyrical language and introspective themes. The poem may invite reflection on the bonds and conflicts that can arise among women, as well as the strength and resilience found in female relationships.

"Yorkshire Ditties, Second Series" by John Hartley is a collection of poems that provides a delightful and humorous exploration of Yorkshire dialect and culture. Hartley, a Yorkshireman himself, was known for his ability to capture the essence of Yorkshire life through his verses.In this collection, readers can anticipate encountering the unique charm of Yorkshire dialect and the vivid depictions of local characters and scenes. The poems often touch upon everyday life, relationships, and the idiosyncrasies of the region, offering both entertainment and a cultural glimpse into Yorkshire during the time.Additionally, the inclusion of "The Cream of Wit and Humour" from Hartley's other popular writings enhances the collection's appeal. This compilation is a testament to Hartley's skill in using humor and dialect to create engaging and relatable poetry, making it a cherished piece of Yorkshire literature.

"Time's Laughingstocks and Other Verses" by Thomas Hardy is a collection of poems that showcases the renowned English author's poetic prowess. In this anthology, Hardy explores a diverse range of themes, including love, nature, time, and the human condition. The title poem, "Time's Laughingstocks," is emblematic of Hardy's keen sense of irony and his contemplative perspective on the passage of time.Throughout the collection, readers can expect Hardy's characteristic use of vivid imagery, poignant reflections, and a deep engagement with the complexities of life. The verses may reveal Hardy's philosophical musings on fate, mortality, and the inevitability of change."Time's Laughingstocks and Other Verses" adds another dimension to Thomas Hardy's literary legacy, showcasing his ability to convey profound emotions and observations through the medium of poetry. It remains a valuable collection for those appreciative of Hardy's prose and poetry alike.

"The Temple of Nature" is a lengthy didactic poem by Erasmus Darwin, the grandfather of Charles Darwin. The poem was published posthumously in 1803. Erasmus Darwin, a physician, natural philosopher, and poet, was known for his work in various fields, including natural history and the application of scientific principles to poetry."The Temple of Nature" is a philosophical and scientific poem that explores Darwin's ideas on evolution, the interconnectedness of all living things, and the role of natural forces in shaping life. The poem is divided into four cantos, each addressing different aspects of the natural world and its processes.Key themes in "The Temple of Nature" include the idea of a universal, interconnected life force, the transformative power of nature, and the concept of evolution long before Charles Darwin's more famous work. Erasmus Darwin's poetic approach to scientific themes in this work reflects the Enlightenment-era interest in the synthesis of knowledge and the exploration of the natural world.The poem serves as a testament to Erasmus Darwin's intellectual breadth, combining his medical and scientific expertise with his poetic talents to present a holistic view of nature and life.

"Where the Dead Men Lie and Other Poems" by Barcroft Boake is a collection of poetry that provides readers with a glimpse into the life and landscape of Australia during the late 19th century. Barcroft Boake, an Australian poet known for his vivid and evocative verses, explores themes such as the harshness of the Australian bush, the struggles of pioneers, and the complexities of human experiences.The title poem, "Where the Dead Men Lie," is perhaps one of Boake's most famous works, depicting the challenges faced by early settlers and the harsh realities of life in the Australian outback.Throughout the collection, readers can expect to encounter Boake's keen observations, a deep connection to the Australian environment, and reflections on the human condition. "Where the Dead Men Lie and Other Poems" stands as a testament to Boake's contribution to Australian literature, offering a poetic portrayal of the landscapes and people that shaped the nation during his time.

"To Our Mocking-Bird" is a poem written by Sidney Lanier, an American poet, musician, and scholar of the 19th century. Sidney Lanier (1842¿1881) is known for his lyrical poetry, often inspired by nature and the American South. "To Our Mocking-Bird" is an example of his poetic expression and love for the natural world.In the poem, Lanier addresses a mockingbird, a bird known for its ability to mimic the sounds of other birds. Here's an excerpt from the poem:"That is his song, made of his joys and woes,The fervent prison of his joys and woes;That is his song, made of his joys and woes,The fervent prison of his joys and woes."Key features of "To Our Mocking-Bird" include:Nature Imagery: The poem uses vivid imagery to depict the mockingbird and its surroundings, emphasizing the bird's ability to express both joy and sorrow through its song.Lyrical Quality: Lanier's poetry is characterized by its musical and lyrical quality, influenced by his background as a musician and flutist. This musicality is evident in the rhythm and language of the poem.Connection with Nature: Lanier often found inspiration in the natural world, and "To Our Mocking-Bird" is an example of his exploration of the relationship between humanity and nature.Symbolism: The mockingbird in the poem can be seen as a symbol of the poet himself or a representation of the human experience. The bird's ability to mimic various sounds reflects the multifaceted nature of human emotions.Sidney Lanier's poetry, including "To Our Mocking-Bird," reflects the Romantic tradition and the influence of nature on artistic expression. His work is recognized for its beauty, musicality, and exploration of the interconnectedness between the human spirit and the natural world.

With guilty, conscience-stricken tears,I offer up these rhymes of mineTo children of maturer yearsFrom Seventeen to Ninety-nine.A special solace may they beIn days of second infancy. The frenzied mother who observesThis volume in her offspring's hand,And trembles for the darling's nerves,Must please to clearly understand,If baby suffers by and byThe Publisher's at fault, not I!Pg xBut should the little brat survive,And fatten on this style of Rhyme,To raise a Heartless Home and thriveThrough a successful life of crime,The Publisher would have you seeThat I am to be thanked, not he! Fond parent, you whose children areOf tender age from two to eight,Pray keep this little volume farFrom reach of such, and relegateMy verses to an upper shelf;Where you may study them yourself.

"Volpone" is a satirical comedy play written by Ben Jonson, an English playwright, poet, and literary critic. The play was first performed in 1606 and is considered one of Jonson's major works. "Volpone" is known for its sharp wit, intricate plotting, and satirical examination of greed and deception.Key features of "Volpone" include:1. **Plot and Characters:** The play revolves around the central character, Volpone, a wealthy Venetian magnifico who feigns a severe illness to attract legacy hunters willing to offer him gifts in the hope of inheriting his fortune. The plot involves a series of deceitful schemes and subplots.2. **Themes of Greed and Deception:** "Volpone" satirizes the themes of greed, avarice, and the corruption of the legal system. The characters engage in various forms of deception, highlighting the vices associated with the pursuit of wealth.3. **Humor and Wit:** Jonson employs intricate wordplay, clever dialogue, and comedic situations to create a humorous and entertaining play. The humor often arises from the characters' attempts to outwit each other.4. **Moral and Social Commentary:** Beneath the comedic surface, "Volpone" provides moral and social commentary on the corrupting influence of wealth, the hypocrisy of society, and the consequences of unchecked greed.5. **Subplots and Supporting Characters:** The play features several subplots involving characters such as Mosca, Voltore, Corbaccio, and Corvino, each contributing to the overall satire and complicating the main narrative."Volpone" is a significant example of Jacobean comedy and is praised for its skillful use of language, intricate plotting, and its exploration of timeless themes related to human nature and society.

"The World's Best Poetry, Volume III" by Lyman Abbott is part of a poetry anthology series edited by Abbott. These volumes aimed to compile and present a selection of what was considered the best poetry from various periods and cultures. Volume III likely covers a specific theme, period, or genre, depending on the focus established by Abbott in this particular edition.As a poetry anthology, "The World's Best Poetry" series would include works by various poets, offering readers a diverse collection of poetic expressions. Abbott, a Congregationalist minister and editor, often curated literary works that aligned with his values and interests.

I WILL that if I say a heavy thingYour tongues forgive me; seeing ye know that springHas flecks and fits of pain to keep her sweet,And walks somewhile with winter-bitten feet.Moreover it sounds often well to letOne string, when ye play music, keep at fretThe whole song through; one petal that is deadConfirms the roses, be they white or red;Dead sorrow is not sorrowful to hearAs the thick noise that breaks mid weeping were;The sick sound aching in a lifted throatTurns to sharp silver of a perfect note;And though the rain falls often, and with rainLate autumn falls on the old red leaves like pain,I deem that God is not disquieted.Also while men are fed with wine and bread,They shall be fed with sorrow at his hand. There grew a rose-garden in Florence landMore fair than many; all red summers throughThe leaves smelt sweet and sharp of rain, and blewSideways with tender wind; and therein fellSweet sound wherewith the green waxed audible,As a bird¿s will to sing disturbed his throatAnd set the sharp wings forward like a boatPushed through soft water, moving his brown sideSmooth-shapen as a maid¿s, and shook with prideHis deep warm bosom, till the heavy sun¿sSet face of heat stopped all the songs at once.The ways were clean to walk and delicate;And when the windy white of March grew late,Before the trees took heart to face the sunWith ravelled raiment of lean winter on,The roots were thick and hot with hollow grass.

"The Tale of Balen" is a narrative poem by Algernon Charles Swinburne, a 19th-century English poet, playwright, and critic. This work, published in 1896, represents Swinburne's engagement with Arthurian legends and medieval romance."The Tale of Balen" is one of Swinburne's later works and is influenced by the Arthurian legends, particularly the story of Balin and Balan. The poem explores themes of chivalry, honor, and tragic fate, common elements in Arthurian literature.Swinburne, known for his rich and elaborate poetic style, brings his distinctive voice to this narrative, creating a lush and atmospheric retelling of the Arthurian legend. "The Tale of Balen" reflects Swinburne's fascination with medieval themes and his desire to reinvigorate these legends with his own poetic interpretations.As with many of Swinburne's works, readers can expect intricate language, vivid imagery, and a deep engagement with the emotional and ethical dilemmas faced by the characters in the narrative.

he Tragedy of Asgard is a novel written by Victor Plarr in 1905. The book is a retelling of the Norse mythology and tells the story of the Norse gods and goddesses, including Odin, Thor, Loki, and Freya. The novel is divided into three parts, each of which explores different aspects of the mythology. The first part focuses on the creation of the world and the gods, while the second part describes the gods' battles with the giants and their eventual victory. The final part of the novel deals with the fall of the gods and the end of the world, known as Ragnarok. The Tragedy of Asgard is a unique interpretation of Norse mythology and provides readers with a fascinating insight into the beliefs and culture of the ancient Norse people. The book is a must-read for anyone interested in mythology, folklore, or ancient history.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

I am inclined to think that both the writers of books, and the readers of them, are generally not a little unreasonable in their expectations. The first seem to fancy that the world must approve whatever they produce, and the latter to imagine that authors are obliged to please them at any rate. Methinks, as on the one hand, no single man is born with a right of controlling the opinions of all the rest; so on the other, the world has no title to demand, that the whole care and time of any particular person should be sacrificed to its entertainment. Therefore I cannot but believe that writers and readers are under equal obligations for as much fame, or pleasure, as each affords the other. Every one acknowledges, it would be a wild notion to expect perfection in any work of man: and yet one would think the contrary was taken for granted, by the judgment commonly passed upon poems. A critic supposes he has done his part if he proves a writer to have failed in an expression, or erred in any particular point: and can it then be wondered at if the poets in general seem resolved not to own themselves in any error? For as long as one side will make no allowances, the other will be brought to no acknowledgments.

"The Victories of Love and Other Poems" is a collection of poetry by Coventry Patmore, a 19th-century English poet associated with the Victorian era. Patmore is known for his romantic and devotional poetry, and this particular collection, published in 1863, is considered one of his major works.Key poems in include:"The Angel in the House" (1854-1862): This is a narrative poem that describes Patmore's idealized vision of the perfect marriage. The concept of "The Angel in the House" became influential in Victorian literature, representing the idealized, supportive wife."The Victories of Love" (1863): A lengthy narrative poem exploring themes of love, loss, and spiritual redemption. This poem is often considered the centerpiece of the collection.Various Shorter Poems: The collection includes numerous shorter poems that touch on themes of love, faith, and the human experience.

[Written for the gathering of survivors of the Indian Mutiny, Albert Hall, 1907.] To-day, across our fathers' graves, The astonished years reveal The remnant of that desperate host Which cleansed our East with steel. Hail and farewell! We greet you here, With tears that none will scorn¿O Keepers of the House of old, Or ever we were born! One service more we dare to ask¿Pray for us, heroes, pray, That when Fate lays on us our task We do not shame the Day!

In Cambridge there are two literary shrines to which visitors are sure to find their way soon after passing the Harvard gates, "Craigie House," the home of Longfellow and "Elmwood," the home of Lowell. Though their hallowed retirement has been profaned by the encroachments of the growing city, yet in their simple dignity these fine old colonial mansions still bespeak the noble associations of the past, and stand as memorials of the finest products of American culture. Elmwood was built before the Revolution by Thomas Oliver, the Tory governor, who signed his abdication at the invitation of a committee of "about four thousand people" who surrounded his house at Cambridge. The property was confiscated by the Commonwealth and used by the American army during the war. In 1818 it was purchased by the Rev. Charles Lowell, pastor of the West Congregational Church in Boston, and after ninety years it is still the family home. Here was born, February 22, 1819, James Russell Lowell, with surroundings most propitious for the nurturing of a poet-soul. Within the stately home there was a refined family life; the father had profited by the unusual privilege of three years' study abroad, and his library of some four thousand volumes was not limited to theology; the mother, whose maiden name was Spence and who traced her Scotch ancestry back to the hero of the ballad of Sir Patrick Spens, taught her children the good old ballads and the romantic stories in the Fairie Queen, and it was one of the poet's earliest delights to recount the adventures of Spenser's heroes and heroines to his playmates.

"Young's Night Thoughts" by George Gilfillan is an insightful and poetic exploration of Edward Young's original work, "Night Thoughts." George Gilfillan, a Scottish poet and critic, provides commentary and analysis on Young's profound and contemplative poem."Night Thoughts" is a series of meditations on life, death, and the human condition, originally penned by Edward Young in the 18th century. Gilfillan, in his reflections, delves into the philosophical and theological themes embedded in Young's verses, offering readers a deeper understanding of the poetic masterpiece.George Gilfillan's interpretation of "Young's Night Thoughts" serves as a bridge between the original work and contemporary readers, guiding them through the intricate layers of meaning and emotion within Young's reflective verses. This commentary is a valuable resource for those seeking to appreciate the profound insights and poetic beauty of "Night Thoughts" in a broader literary context.

"Rose et Ninette" est une nouvelle d'Alphonse Daudet, extraite de son recueil "Lettres de mon Moulin", publié en 1869. L'histoire présente deux jeunes filles, Rose et Ninette, vivant dans un petit village provençal. Rose est une jeune fille douce et aimable, tandis que Ninette est plus espiègle et coquette.L'intrigue tourne autour d'un ruban rouge que Ninette aime porter dans ses cheveux. Rose, quant à elle, est admirative de ce ruban et souhaite en avoir un similaire. Cependant, Ninette refuse de le partager, créant ainsi une petite rivalité entre les deux amies.L'histoire explore les thèmes de l'amitié, de la jalousie et de la générosité, offrant une peinture charmante de la vie quotidienne dans ce village provençal. Elle capture également l'innocence et la simplicité de l'enfance, tout en transmettant des leçons de partage et de compréhension mutuelle.

Ce matin-là, j¿étais très en retard pour aller à l¿école, et j¿avais grand-peur d¿être grondé, d¿autant que M. Hamel nous avait dit qüil nous interrogerait sur les participes, et je n¿en savais pas le premier mot. Un moment l¿idée me vint de manquer la classe et de prendre ma course à travers champs.Le temps était si chaud, si clair on entendait les merles siffler à la lisière du bois, et dans le pré Rippert, derrière la scierie, les Prussiens qui faisaient l¿exercice. Tout cela me tentait bien plus que la règle des participes ; mais j¿eus la force de résister, et je courus bien vite vers l¿école.En passant devant la mairie, je vis qüil y avait du monde arrêté près du petit grillage aux affiches.Depuis deux ans, c¿est de là que nous sont venues toutes les mauvaises nouvelles, les batailles perdues, les réquisitions, les ordres de la commandanture ; et je pensai sans m¿arrêter : ¿Qüest-ce qüil y a encore ?¿ Alors, comme je traversais la place en courant, le forgeron Wachter, qui était là avec son apprenti en train de lire l¿affiche, me cria : ¿Ne te dépêche pas tant, petit ; tu y arriveras toujours assez tôt à ton école !¿Je crus qüil se moquait de moi, et j¿entrai tout essoufflé dans la petite cour de M. Hamel.

"La Vita Nuova" a été écrit par Dante au début du XIVe siècle. C'est un recueil de poèmes qui célèbrent l'amour de Dante pour Béatrice, une femme dont il tombe amoureux dès son jeune âge. Les poèmes sont entrecoupés de prose dans laquelle Dante raconte et commente ses expériences amoureuses, spirituelles et artistiques.L'¿uvre explore le thème de l'amour courtois et la relation entre l'amour profane et l'élévation spirituelle. Béatrice est souvent présentée comme une figure quasi divine, inspirant à Dante des élans poétiques et des réflexions profondes sur l'amour, la beauté et la transcendance.