Bücher veröffentlicht von Fairleigh Dickinson University Press

This is a history book that studies the thought and actions of Jose Gervasio Artigas throughout the decade of his prominence (1810 1820) as leader of the Federal League, which united his native territory of Uruguay to four neighboring provinces in today's Argentina.This was the period when the Spanish king's abdication propelled elites across that country's former American colonies to hastily construct new local institutions to carry on governing functions and to assure order and stability. Within a few years that new leadership had to do battle against the armies sent by Spain's new leadership that attempted to reassert its control.In the Banda Orientaltoday's UruguayArtigas, with democratic and egalitarian values, enjoyed wide support among the rural poor as well as the landed elite. His military victories over the Spanish, and then his successful defense of provincial autonomy before the imperialist ambitions of Buenos Aires, account for the spread of his influence to neighboring provinces and the creation of the Federal League. His short-term successes infuriated powerful elites in both Buenos Aires and the Portuguese colonies of today's Brazil. These, allied to the newly potent British empire, then collaborated to bring about his defeat. Artigas' career, as seen in retrospect, was riddled with contradiction and ambiguity, yet his record of achievements is worthy of remembrance and honor.The book provides information, largely ignored by previous historians, about his important dealings with three central figures in Argentina's independence movement: Generals Manuel Belgrano. Martn Guemes, and Jose de San Martn.

The last quarter century has seen a ';turn to religion' in Shakespeare studies as well as competing assertions by secular critics that Shakespeare's plays reflect profound skepticism and even dismissal of the truth claims of revealed religion. This divide, though real, obscures the fact that Shakespeare often embeds both readings within the same play. This book is the first to propose an accommodation between religious and secular readings of the plays. Benson argues that Shakespeare was neither a mere debunker of religious orthodoxies nor their unquestioning champion. Religious inquiry in his plays is capacious enough to explore religious orthodoxy and unorthodoxy, everything from radical belief and the need to tolerate religious dissent to the possibility of God's nonexistence. Shakespeare's willingness to explore all aspects of religious and secular life, often simultaneously, is a mark of his tremendous intellectual range.Taking the heterodox as his focus, Benson examines five figures and ideas on the margins of the post-Reformation English church: nonconforming puritans such as Malvolio as well as physical revenantsthe walking deadwhom Shakespeare alludes to and features so tantalizingly in Hamlet. Benson applies what Keats called Shakespeare's ';negative capability'his ability to treat both sides of an issue equally and without prejudiceto show that Shakespeare considers possible worlds where God is intimately involved in the lives of persons and, in the very same play, a world in which God may not even exist. Benson demonstrates both that the range of Shakespeare's investigation of religious questions is more daring than has previously been thought, and that the distinction between the sacred and the profane, between the orthodox and the unorthodox, is one that Shakespeare continually engages.

This book revisits the philosophy and aesthetic Elsa Morante outlined in her literary writings. Stefania Lucamante presents a fresh outlook at Morante's work to determine the importance of her work today, to appreciate her theoretical and stylistic legacy, and to understand why and which elements of her work have inspired Italian artists.

Philosophy of Communication Ethics is a unique and timely volume that creatively examines communication ethics, philosophy of communication, and the 'Other.'

This critical volume offers an overview and close analysis of Italian women's autobiographical writings from the twentieth century, engaging with issues of form and content and identifying recurring paradigms. It will be of interest to students of Italian literature and culture, autobiographical studies, and gender studies.

The most flamboyant, consistently dishonest racketeer was Supervisor of Internal Revenue John McDonald, whose organization defrauded the federal government of millions of dollars. When President Grant was asked why he appointed McDonald supervisor of internal revenue he responded, ';I was aware that he was not an educated man, but he was a man that had seen a great deal of the world and of people, and I would not call him ignorant exactly, he was illiterate.' McDonald organized and ran the Whiskey Ring but he always credited Grant with the initiation of the Ring declaring that the president ';actually stood god-father at its christening.' The demise of the Ring rivals anything that the real or fictional Elliot Ness and his ';Untouchables' ever accomplished during the prohibition era in America.

The first major study to challenge the narrow definition of post traumatic stress disorder (PTSD) by rereading six American literary texts, this book argues for the importance of literature in representing not just circumscribed, singular traumatic events, as Cathy Caruth argued in the late nineties, but for giving voice to chronic and cumulative, or complex, traumatic experiences. This interdisciplinary study traces the development of fatherdaughter incest narratives published in the last hundred years, from male-authored fiction to female-authored memoir, bringing new readings to Fitzgerald's Tender Is the Night, Ellison's Invisible Man, and the Dylan Farrow-Woody Allen case. This study builds on the work of those ushering in a second-wave of trauma theory, which has argued that the difficulty of speaking about a traumatic experience is not necessarily caused by neurobiological changes that prevent victims from recalling details. Rather, it's from social and political repercussions. In other words, they argue that many who experience trauma aren't unable to deliver accounts; they fear the results. There is a significant gender component to trauma, whose implications, along with those of race and class, have largely gone unexamined in the first-wave of trauma theory. Exploring two additional questions about articulating trauma, this book asks what happens when the voice of trauma is crying out from what Toni Morrison has called the ';most delicate,' ';most vulnerable' member of society: a female child; and, second, what happens when the trauma is not just a time-limit event but chronic and cumulative experiences. Some traumatic experiences, namely fatherdaughter incest, are culturally reduced to the untellable, and yet accounts of paternal incest are readily available in American literature. This book is written in part as a response to the psychological community which failed to include complex PTSD in the latest edition of the DSM (DSM-5), denying victims, many of whom are fatherdaughter incest survivors, the validation and recognition they deserve and leaving many misdiagnosed and thereby mistreated.

In this monograph, Gregory M. Pell provides a full-length study on the poetry of Davide Rondoni, one of Italy's most active contemporary writers and thinkers. This book includes comparative studies of Jorie Graham, Gjertrud Schnackenberg, Charles Wright, John Ashbery, Patrizia Fazzi, and Mario Luzi. As the first book in English on Davide Rondoni's poetry, this study explores how the Italian poet deals with art, and the places of art, in a way that transcends the notion of ekphrasis (or, verbal representation of pictorial art) to see poetry as the transcription of an experience with art, thus becoming a sort of anti-ekphrasis, or an atmospheric ekphrasis. The social and religious aspects of art take precedence over aesthetic concerns, without discounting them, in Rondoni's unsentimental poetry, which takes the form of recitative theatrical monologues. Thus, art becomes more than simple visual representation or the subject of an art history catalogue. Instead, in certain poets, such as Rondoni, we experience life through art's complete process: from the artist's originary idea to the work's execution to our interaction with it in the here and now.

A scholarly work of synthesis and interpretation that focuses on encounters with light, this book tells the story of its seducing individuals through the ages. Rather than the historical investigation of light's "essential" nature, the book's subject is our relationship with light, as revealed in works of art and literature.

Global Dilemmas documents the cultural debates of a key community of the British Empire from the 1840s to 1925. It completes the account of its printed legacy as pioneer of Reformation, Parliamentary Reform, and Industrial Revolution begun in A Kingdom in Two Parishes and continued in Classic Soil.

This book deepens our understanding of the human capacity to produce and share meaning by exploring the intersection of American pragmatism and European philosophy in the conscious experience of communication and culture, highlighting the contributions of C. S. Peirce, John Dewey, Gregory Bateson, and Pierre Bourdieu to communicology.

Andrew Marvell, Sexual Orientation, and Seventeenth-Century Poetry examines the poet's major works to unmask English Interregnum/Restoration attitudes on sexuality with a view of understanding Marvell's own sexuality. Klawitter explicates the poet's lyric pieces, major and minor, against a background of modern theories of human sexuality.

This work analyzes the New Ethnicity of the 1970s as a way of understanding Americas political turn to the right in that decade. An upsurge of vocal ethnic consciousness among second-, third-, and fourth-generation Southern and Eastern Europeans, the New Ethnicity simultaneously challenged and emulated earlier identity movements such as Black Power.The movement was more complex than the historical memory of racist, reactionary white ethnic leaders suggests. The movement began with a significant grassroots effort to gain more social welfare assistance for near poor white ethnic neighborhoods and ease tensions between the working-class African Americans and whites who lived in close proximity to one another in urban neighborhoods. At the same time, a more militant strain of white ethnicity was created by urban leaders who sought conflict with minorities and liberals.The reassertion of ethnicity necessarily involved the invention of myths, symbols, and traditions, and this process actually served to retard the progressive strain of New Ethnicity and strengthen the position of reactionary leaders and New Right politicians who hoped to encourage racial discord and dismantle social welfare programs. Public intellectuals created a mythical white ethnic who shunned welfare, valued the family, and provided an antidote to liberal elitism and neighborhood breakdown. Corporations and publishers embraced this invented ethnic identity and codified it through consumption. Finally, politicians appropriated the rhetoric of the New Ethnicity while ignoring its demands. The image of hard-working, self-sufficient ethnics who took care of their own neighborhood problems became powerful currency in their effort to create racial division and dismantle New Deal and Great Society protections.

Habermas's Public Sphere: A Critique systematically analyzes the strengths and weaknesses of Habermas's classic public sphere concept to reinvigorate it for evaluating the liberal promises and realities of modern societies.

This book analyzes the process of cultural production and consumption in late-eighteenth- and nineteenth-century Italy and the ways in which authors, composers, publishers, performers, journalists, and editors engage with the anxieties and aspirations of their diverse audiences.

This book explores the many different ways that we can understand the concept of "literary influence," considering both the pressures exerted upon a work at the time of its creation as well as the pressures that continue to be exerted upon it and that it in turn exerts upon other works in the course of its literary or performance history.

The book is a work of non-fiction. The book is a historical analysis of the evolution of a uniquely American constitutionalism that began with the original English royal charters for the exploration and exploitation of North America. When the U.S. Constitution was written in 1787, the accepted conception of a constitution was that of the British constitution, upon which the colonists had relied in asserting their rights with respect to the imperium, comprised of ancient documents, parliamentary enactments, administrative regulations, judicial pronouncements, and established custom. Of equal significance, the laws comprising the constitution did not differ from other statutes and as a consequence, there was no law endowed with greater sanctity than other legislative enactments.In framing the revolutionary state constitutions following the retreat of the crown governments in the colonies, as well as the later federal Constitution, the Revolutionaries fundamentally reconceived a constitution as being the single authoritative source of fundamental law that was superior to all other statutes, regulations, and judicial decisions, that was ratified by the states and that was subject to revision only through a formal amendment process. This new constitutional conception has been hailed as the great innovation of the revolutionary period, and deservedly so.This American constitutionalism had its origins in the now largely overlooked royal charters for the exploration of North America beginning with the charter granted to Sir Humphrey Gilbert by Elizabeth I in 1578. The book follows the development of this constitutional tradition from the early charters of the Virginia Companies and the covenants entered of the New England colonies, through the proprietary charters of the Middle Atlantic colonies. On the basis of those foundational documents, the colonists fashioned governments that came to be comprised not only of an executive, but an elected legislature and a judiciary. In those foundational documents and in the acts of the colonial legislatures, the settlers sought to harmonize their aspirations for just institutions and individual rights with the exigencies and imperatives of an alien and often hostile environment. When the colonies faced the withdrawal of the crown governments in 1775, they drew on their experience, which they formalized in written constitutions. This uniquely American constitutional tradition of the charters, covenants and state constitutions was the foundation of the federal Constitution and of the process by which the Constitution was written and ratified a decade later.

This is a definitive study of films that have been built around the themes of love, death, and the afterlifefilms about lovers who meet again (and love again) in heaven, via reincarnation, or through other kinds of after-death encounters. Far more than books about mere ghosts in the movies or religion in movies, Love in the Afterlife presents a complex but highly distinctive and unique patternthe love-death-afterlife patternas it was handed down by the ancient Egyptians and Greeks (in the Isis and Orpheus myths, for example), developed by Freud and his followers in the duality of ';Eros and Thanatos,' and then featured in popular movies from the 1920s to the recent past. Among its other qualities, Love in the Afterlife may encourage readers to look at movies differently and reflect upon the possibility that other patterns in cinema may have gone undetected for years. Furthermore, this book will show how the love-death-afterlife theme found its way into all sorts of different film types: melodramas, comedies, war films, horror films, film noir, and other genres. The book will be well illustrated and quotations from film reviews will enliven its pages. A long appendix gives production data on almost sixty individual films.

Beginning with controversies related to British and French attacks on U.S. neutral trade in 1805, this book looks at crucial developments in national politics, public policy, and foreign relations from the perspective of New England Federalists. Through its focus on the partisan climate in Congress that appeared to influence federal statutes, New England Federalists: Widening the Sectional Divide in Jeffersonian America sets out to explain, in their own words, why Federalists, especially those often deemed extreme or radical by contemporaries and historians alike, escalated a campaign to repeal the Constitution's three-fifths clause (which included slaves in the calculation for congressional representation and votes in the Electoral College) while encouraging violations of federal law and advocating northern secession from the Union. Unlike traditional interpretations of early nineteenth-century politics that focus on Jeffersonian political economy, this study brings the impetus for Federalist obstructionism and sectionalism into sharp relief. Federalists who became the sole defenders of New England's economic independence and free labor force, later issued calls for northerners to unite against the spread of slavery and southern control of the central government. Along with controversies that placed sectional harmony in jeopardy, this work links themes in Federalist opposition rhetoric to the important antislavery arguments that would flourish in antebellum culture and politics.

Place, Setting, Perspective examines the films of the Italian filmmaker, Nanni Moretti, from a fresh viewpoint, employing the increasingly significant research area of space within a filmic text. The book is conceived with the awareness that space cannot be studied only in aesthetic or narrative terms: social, political, and cultural aspects of narrated spaces are equally important if a thorough appraisal is to be achieved of an oeuvre such as Moretti's, which is profoundly associated with socio-political commentary and analysis. After an exploration of various existing frameworks of narrative space in film, the book offers a particular definition of the term based on the notions of Place, Setting, and Perspective. Place relates to the physical aspect of narrative space and specifically involves cityscapes, landscapes, interiors, and exteriors in the real world. Setting concerns genre characteristics of narrative space, notably its differentiated use in melodrama, detective stories, fantasy narratives, and gender based scenarios. Perspective encompasses the point of view taken optically by the camera which supports the standpoint of Moretti's personal philosophy expressed through the aesthetic aspects which he employs to create narrative space. The study is based on a close textual analysis of Moretti's eleven major feature films to date, using the formal film language of mise-en-scene, cinematography, editing, and sound. The aim is to show how Moretti selects, organizes, constructs, assembles, and manipulates the many elements of narrative space into an entire work of art, to enable meanings and pleasures for the spectator.

This book offers an important new look into how philosophy and the visual imagination intersect in the modernist work of Luigi Pirandello. Collecting essays from leading scholars across the world, it highlights the incredible scope and multimedia dimension of Pirandello's work and legacy.

This book represents the first scholarly gathering together of the long-neglected poetry of the School Inspector, educationalist and philosopher Edmond Holmes (1850 1936). Alongside a generous selection from Holmes's six volumes of poetry there is also a full reproduction of Holmes's essay What is Poetry which served to delineate his thinking on the discipline. Supporting these original works is both a lengthy scholarly introduction and extensive endnotes which serve to locate Holmes's poetry not merely within the context of its time and amongst his own contemporaries but also to make a case for the importance of this body of work in its own right particularly in its promulgation of original and innovative ideas. Holmes's poetry represents a particularly unique combination of traditional verse form coupled with innovative and esoteric subject matter (often drawing upon Eastern Buddhist philosophy as well as Western Romanticism and Pantheism) and so deserves to be more widely recognized as being wholly distinctive within the canon of Victorian and Modern poetry.

This volume of essays and speeches by noted international higher education leaders from the 50th Annual Meeting of IAUP, and explores the critical role of higher education both as an active part of global civil society and as a foundation for the realization of a just, peaceful, and prosperous global future.

This book investigates narrative, autobiography, and poetry by Italian women writers from the nineteenth century to today and considers the topics of boundaries and borders in their writings.

Beyond its elucidation and critique of traditional ';notation-centric' musicology, this books primary emphasis is on the negotiation and construction of meaning within the extended musical multimedia works of the classic British group Pink Floyd. Encompassing the concept albums that the group released from 1973 to 1983, during Roger Waters' final period with the band, chapters are devoted to Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983), along with Waters' third solo album Amused to Death (1993). This books analysis of album covers, lyrics, music and film makes use of techniques of literary and film criticism, while employing the combined lenses of musical hermeneutics and discourse analysis, so as to illustrate how sonic and musical information contribute to listeners' interpretations of the discerning messages of these monumental musical artifacts. Ultimately, it demonstrates how their words, sounds, and images work together in order to communicate one fundamental concern, whichto paraphrase the music journalist Karl Dallasis to affirm human values against everything in life that should conspire against them.

This book presents the first complete English translation of En las orillas del Sar, the final volume of poetry by Spanish nineteenth-century writer Rosalia de Castro. Using a framework grounded in socio-historical contextualization and feminist translation theory, this book analyzes poems' themes.

Gender and cultural studies readings of Tennessee Williams's work have provided diverse perspectives on his complex representations of sexuality, whether of himself as an openly gay man, or of his characters, many of whom narrate or dramatize sexual attitudes or behavior that cross heteronormative boundaries of the mid-century period. Several of these studies have positioned Williams and his work amid the public tensions in American life over roughly four decades, from 19401980, as notions of equality and freedom of choice challenged prejudice and repression in law and in society. To date, however, neither Williams's homosexuality nor his persistent representations of sexual transgressions have been examined as legal matters that challenged the rule of law.Directed by legal history and informed by multiple strands of Williams's studies criticism, textual, and cultural, this book explores the interplay of select topics defined and debated in law's texts with those same topics in Williams's personal and imaginative texts. By tracing the obscure and the transparent representations of homosexuality, specifically, and diverse sexualities more generally, through selected stories and plays, the book charts the intersections between Williams's literature and the laws that governed the period. His imaginative works, backlit by his personal documents and historical and legal records from the period, underscore his preoccupation with depictions of diverse sexualities throughout his career. His use of legal language and its varied effects on his texts demonstrate his work's multiple and complex intersection with major twentieth-century concerns, including significant legal and cultural dialogues about identity formation, intimacy, privacy, and difference.

Women and Comedy: History, Theory, Practice brings together leading researchers from Canada, the United States, and Europe in an interdisciplinary collection of essays to chart the future of critical inquiry in gender and comedy studies.

This volume extends the reach of the American Shakespeare Center, which provides the finest in Shakespearean and Elizabethan dramatic performance and scholarship. These 28 essays, originally presented on the Blackfriars stage, bring together scholars and practitioners, often promoting ideas that can be translated into classroom experiences.

The history of Western philosophy and science is marked by numerous moments when a major development has emerged from conditions that are manifestly adverse to intellectual activity. This book surveys a wide range of cases, and considers how these achievements were possible and how adversity helped shape the ideas that emerged.