Bücher veröffentlicht von Fordham University Press

Ecological Form brings together leading voices in nineteenth-century ecocriticism to suture the lingering divide between postcolonial and ecocritical approaches. Together, these essays show how Victorian thinkers used aesthetic form to engage problems of system, interconnection, and dispossession that remain our own. The authors reconsider Victorian literary structures in light of environmental catastrophe; coordinate "natural" questions with sociopolitical ones; and underscore the category of form as a means for generating environmental-and therefore political-knowledge. Moving from the elegy and the industrial novel to the utopian romance, the scientific treatise, and beyond, Ecological Form demonstrates how nineteenth-century thinkers conceptualized the circuits of extraction and violence linking Britain to its global network. Yet the book's most pressing argument is that this past thought can be a resource for reimagining the present.

Explores both the theory and practice of rhythm in literature with a focus on nineteenth and twentieth-century poetry. Emphasis on rhythm's role in contemporary literary criticism, including debates about poetic form and genre.

Explores both the theory and practice of rhythm in literature with a focus on nineteenth and twentieth-century poetry. Emphasis on rhythm's role in contemporary literary criticism, including debates about poetic form and genre.

Ecstasy in the Classroom analyzes the early thirteenth century theological discourse about Paul's rapture and other modes of cognizing God. It reconstructs the perceptions of transformation and self they imply, and demonstrate their role in establishing the peculiar professional identity of scholastic theologians compared with other seers of God.

Maurice Blanchot: a Critical Biography attempts a critical and theoretical biography by drawing on unpublished documents and interviews with those close to the writer. It tracks the life and work of one of the most important novelists and critics of the twentieth century, who influenced many writers, artists, and philosophers, not least those of French theory.

"[A] treasure trove of philosophic wisdom... this book will be welcomed, and indeed cherished, by all students of natural law."-Journal of Philosophy

The renowned philosopher offers ';a powerful reflection on our times... and the fate of our civilization, as revealed by the catastrophe of Fukushima' (Franois Raffoul, Louisiana State University). In 2011, a tsunami flooded Japan's Fukushima Daiichi Nuclear Power Plant, causing three nuclear meltdowns, the effects of which will spread through generations and have an impact on all living things. In After Fukushima, philosopher Jean-Luc Nancy examines the nature of catastrophes in the era of globalization and technology. He argues that in today's interconnected world, the effects of any disaster will spread in the way we currently associate only with nuclear risk. Can a catastrophe be an isolated occurrence? Is there such a thing as a ';natural' catastrophe when all of our technologiesnuclear energy, power supply, water supplyare necessarily implicated, drawing together the biological, social, economic, and political? In this provocative and engaging work, Nancy examines these questions and more. Exclusive to this English edition are two interviews with Nancy conducted by Danielle Cohen-Levinas and Yuji Nishiyama and Yotetsu Tonaki.

"Amassing information from biology, chemistry, paleontology, cybernetics, and psychology, [Adler] has contrived a dazzling exercise in scholarship and logic."-The New York Times Book Review

One of the most complete and accessible books on the market

This book is a model of philosophical and Heideggerian scholarship. Avoiding the extremes of abject worship and facile refutation, it moves into the heart of the later Heideggers work. Not only is Caputo faithful to the texts, but he is reflective and critical, inviting the reader to philosophize with and against Heidegger.

This book brings together five encounters. They include the date or signature and its singularity; the notion of the trace; structures of futurity and the "to come"; language and questions of translation; such speech acts as testimony and promising; the possibility of the impossible; and the poem as addressed and destined beyond knowledge.

Presents the tale of a young French scholar who travels to the United States in 1965 on a Fulbright Fellowship to consult the manuscripts of beloved authors. In Yale University's Beinecke Library, tantalized by the conversational and epistolary brilliance of a fellow researcher, she is lured into a picaresque and tragic adventure.

The notion of a weak Messianic power serves as the focal point for this study of theological, materialist, poetic, and post-Freudian psychoanalytic approaches to time and the historical unconscious in the work of Benjamin, Celan and Derrida.

Meyer (Mike) Berger was one of the greatest journalists of this century. A reporter and columnist for The New York Times for thirty years, he won a Pulitzer Prize in 1950 for his account of the murder of thirteen people by a deranged war veteran in Camden, New Jersey.

The book examines different ways in which the concepts of media pluralism and diversity have been theorized and used in media policy debates. Its basic argument is that media pluralism should be understood as a broad normative value that refers to the distribution of communicative power in the public sphere.

Exploring the subject of Jewish philosophy as a controversial construction site in the project of modernity, this book examines the implications of the different and often conflicting notions at stake in the debate on the question of what Jewish philosophy is or could be.

The Trace of God treats Derrida's discussion and use of religious ideas. Examining his writings both early and late, it provides accounts of his engagement with the Jewish, Christian, and Islamic traditions, offering a variety of perspectives on the meaning of his work and its implications today.

The appeal of Asian Theater in America today confirms that the theatre of the Far East is a remarkable and catalytic experience for a Western audience. This book presents two complete plays in the theatrical forms of Noh and Kabuki.

Traces Italian philosopher Giorgio Agamben's engagement with deconstructive thought from his early work in the 1960s to the present, examining his key concepts - infancy, Voice, potentiality, sovereignty, bare life, messianism - in relation to key texts and concepts in Jacques Derrida's work.

This book brings together a group of Judith Butler's philosophical essays written over two decades that elaborate her reflections on the roles of the passions in subject-formation through an engagement with Hegel, Kierkegaard, Descartes, Spinoza, Malebranche, Merleau-Ponty, Freud, Irigaray and Fanon.

This volume is a book of readings in the philosophy of process, dealing with processes and events over substance. There are nine philosophers included in this expanded and revised edition: Bergson, Nietzche, Alexander, Peirce, James, Dewey, Whitehead, Mead and Hartshorne.

What does it mean to 'fall' asleep? Might there exist something like a 'reason' of sleep, a reason at work in its own form or modality, a modality of being in oneself, of return to oneself, without the waking 'self' that distinguishes 'I' from 'you' and from the world? This book attempts to answer these questions.

This volume designates a shift within posthumanistic media studies, that dissolves the concept of media into a network of operations, that reproduce, process and reflect the distinctions that are fundamental for a given culture, e.g. the anthropological difference, the distinctions between natural object and cultural sign, noise and information, eye and gaze.

A comparative theological and philosophical analysis of the concept of spirit in the West and the concept of qi (ch'i) in East Asia in regard to their respective and mutually illuminating potentials for sustaining a pluralistic and democratic metaphysical vision of the cosmos.

Benjamin's Passages: Dreaming, Awakening is focused on central issues of Benjamin's later work: the interplay of aesthetics and politics; the conception of language; the fading of aura and its relation to image; citation in The Arcades Project; the status of messianism; the motifs of memory, the crowd, and awakening.

Private Lives, Public Deaths draws on classical studies, Hegel, and modern philosophical analyses to describe how Sophocle's tragedy Antigone expresses a key concern of ancient Greek culture: the value of a living individual.