Bücher veröffentlicht von The New Press

Part of the ongoing series of photobooks published with the Arcus Foundation and Emerson, Wajdowicz Studios on queer communities around the world, a stunning portrait of a community battling homophobia in Serbia In June 2001, Serbia witnessed its first gay pride parade in history in Belgrade's central square. It was a short-lived march, as an ultranationalist mob quickly descended on the participants, chanting homophobic slurs and injuring dozens. For years afterward, fear of violence prevented further marches, and when, in October 2010, the next pride march finally went ahead, it again devolved into violence as anti-gay rioters, firing shots and hurling petrol bombs, fought the police. It was only in 2014 that a pride march was held uninterrupted, albeit under heavy police protection. In Lives in Transition, photographer Slobodan Randjelovic captures the struggles and successes of twenty LGBTQ people living throughout Serbia-a conservative, religious country where, despite semi-progressive LGBTQ protection laws, homophobia fueled by religious authorities and right-wing political parties remains deeply entrenched. In a country where lack of employment opportunity and hostile families frequently drive queer people into poverty and isolation, these individuals have struggled to build a community that will offer solace, protection, and even joy. Lives in Transition portrays remarkable and inspiring resilience in the human struggle against a repressive social environment and demonstrates how friendship and community can help people shape their own futures.Lives in Transition was designed by Emerson, Wajdowicz Studios (EWS).

';A meticulously researched tour de force' on politics, big agriculture, and the need to go beyond farmers' markets to find fixes (Publishers Weekly). Wenonah Hauter owns an organic family farm that provides healthy vegetables to hundreds of families as part of the Community Supported Agriculture (CSA) movement. Yet, as a leading healthy-food advocate, Hauter believes that the local food movement is not enough to solve America's food crisis and the public health debacle it has created. InFoodopoly, she takes aim at the real culprit: the control of food production by a handful of large corporationsbacked by political cloutthat prevents farmers from raising healthy crops and limits the choices people can make in the grocery store. Blending history, reporting, and a deep understanding of farming and food production,Foodopolyis a shocking, revealing account of the business behind the meat, vegetables, grains, and milk most Americans eat every day, including some of our favorite and most respected organic and health-conscious brands. Hauter also pulls the curtain back from the little-understood but vital realm of agricultural policy, showing how it has been hijacked by lobbyists, driving out independent farmers and food processors in favor of the likes of Cargill, Tyson, Kraft, and ConAgra. Foodopoly shows how the impacts ripple far and wide, from economic stagnation in rural communities to famines overseas, and argues that solving this crisis will require a complete structural shifta change that is about politics, not just personal choice.

A stunning collection of photographs of the LGBTQ community in Thailand, from one of the world's most renowned photographersSteve McCurry is the artist behind some of the most iconic images in contemporary photography. His 1984 portrait of Sharbat Gula (';the Afghan girl') on the cover of National Geographic remains widely recognized to this day. Now McCurry turns his attention to Thailand as part of a series of photobooks on LGBTQ communities around the world.Thailand has long had the reputation as one of the most gay-friendly destinations in Asia, particularly Bangkok with its nightlife and its relative openness and safety. While this may be true for tourists and expats, the idea of Thailand as a haven for LGBTQ people and for same-sex couples, heavily promoted by the tourist industry, does not necessarily extend to Thais themselves. While Thailand is home to the largest LGBTQ communities in Asia, the reality for them is less accepting. Discrimination and exclusion targeting LGBTQ people continues despite a nominally progressive stance on inclusion, and same-sex marriage remains illegal.Against this backdrop, McCurry's lushly colored photographs take us into the vibrant LGBTQ community in Bangkok, and this beautifully packaged, affordably priced book gives us a series of close to one hundred moving and intimate portraits of people who are no longer welcome in the community in which they grew up, but who have forged a new life and a new meaning of family in the queer community.Belonging was designed by Emerson, Wajdowicz Studios (EWS).

This ';electrifying' collection of unpublished work demonstrates the Pulitzer Prizewinning author's ';great gift for tapping into the lifeblood of America' (Booklist). Millions of Studs Terkel fans have come to know the prize-winning oral historian through his landmark books';The Good War', Hard Times, Working, Will the Circle Be Unbroken?, and many others. Few people realize, however, that much of Studs's best work was not collected into these thematic volumes and has, in fact, never been published. P.S. brings together these significant and fascinating writings for the first time. The pieces in P.S. reflect Terkel's wide-ranging interests and travels, as well as his abiding connection to his hometown, Chicago. Here we have a fascinating conversation with James Baldwin, possibly Terkel's finest interview with an author; pieces on the colorful history and culture of Chicago; vivid portraits of Terkel's heroes and cohorts (including an insightful and still timely interview with songwriter Yip Harburg, known for his ';Brother, Can You Spare a Dime'); and the transcript of Terkel's famous broadcast on the Depression, the moving chronicle that would later develop into Hard Times. A fitting postscript to a lifetime of listening, P.S. is a truly Terkelesque display of the author's extraordinary range of talent and the amazing people he spoke to.

PAPERBACK ORIGINAL A stunning new photobook featuring more than fifty portraits of children brought up by gay parents in America, sixth in a groundbreaking series that looks at LGBTQ communities around the world

A moving portrait of a group of queer East Africans who fled their home countries for the United States.

A beautifully packaged and profound exploration of human desire and queer sexuality in Latin America by the acclaimed Argentinian photographer Claudia JaresIn Dark Tears, award-winning Argentinian photographer and performance artist Claudia Jares takes her lens to the reality of queer experience in Argentina, Venezuela, and across Latin America, exploring questions of sexuality, religion, and identity with the raw eroticism that is the hallmark of her style. Here she tells the stories of a number of people struggling to come to terms with their identity in a region that, despite much progress in LGBTQ rights in recent years, still moves to a strongly conservative Christian heartbeat that condemns same-sex relations and reveres the institution of the heteronormative family.Drawing on the queer traditions of burlesque and drag, Dark Tears is a journey into an interior erotic landscape as it profiles a number of different couples-gay, lesbian, gender nonconforming-to delve into the hidden corners and diverse configurations of human desire as it conflicts with more staid, traditional values. A balance of celebrating acceptance and recalling the clandestine, furtive history of queer sexuality, these explicit black-and-white and color images are a challenge to the viewer as voyeur, but also an invitation to enter with empathy into the intimate world of Jares's subjects.Dark Tears was designed by Emerson, Wajdowicz Studios (EWS).

From an award-winning documentary photographer, the first book of its kind to portray the LGBTQ community in contemporary Poland

An intimate photographic glimpse into the queer world behind the closed doors of modern Japanese society The LGBTQ community in Japan has faced its challenges. Even as some religious and warrior orders have a long and recognized tradition of same-sex love, to be considered different, to be "e;the nail that sticks out,"e; makes coming out difficult.Despite the conservative strain within Japanese society that encourages the LGBTQ community to remain unseen, a welcome change is happening on the ground. A number of queer cultural figures are opening up new horizons, and a growing majority of Japanese people believe that homosexuality should be an integral and open part of society.The latest in a series of beautiful, affordable photobooks that look at LGBTQ communities around the world, Edges of the Rainbow is a photographic celebration of the queer community in Japan. In a set of more than 150 color and black-and-white photographs, acclaimed photographer Michel Delsol and journalist Haruku Shinozaki have brought together a fascinating group of individuals to create an unforgettable and uplifting look at a proud and resilient community on the margins of Japanese society.Edges of the Rainbow was designed by Emerson, Wajdowicz Studios (EWS).

In August 1953, the CIA orchestrated the swift overthrow of Iran's democratically elected leader and installed Muhammad Reza Shah Pahlavi in his place. Over the next twenty-six years, the United States backed the unpopular, authoritarian shah and his secret police; in exchange, it reaped a huge share of Iran's oil wealth.The blowback was inevitable, as this "relevant, readable” (Kirkus Reviews) history by noted Iran scholar Ervand Abrahamian shows. When the 1979 Iranian Revolution deposed the shah and replaced his puppet government with a radical Islamic republic under Ayatollah Ruhollah Khomeini, the shift reverberated throughout the Middle East and the world, casting a long, dark shadow over U.S.-Iran relations that extends to the present day.In this "well-documented account [that] will become indispensable reading for students of the modern Middle East” (Choice), Abrahamian uncovers little-known documents that challenge conventional interpretations of the coup. Offering "new insights into his history-shattering event” (Reason.com), his riveting account transforms America's understanding of a crucial turning point in modern U.S.-Iran relations.

The photojournalist Misha Friedman is renowned for his efforts to capture life in contemporary Russia, documenting subjects as varied as political corruption, the dangers of coal mining, the tuberculosis epidemic, and the Bolshoi Ballet. In publications ranging from the New York Times, the Washington Post, Time, and the New Yorker, Friedmans grimly evocative black-and-white imagesintimate, behind-the-scenes photos (Time)have been credited with capturing moments of intense pathos, bleak existence, and human dignity. He has received multiple international awards for his unflinching lens and his intrepid reporting.For his new collection of photographs, Lyudmila and Natasha, Friedman trains his lens on a gay couple living on Saint Petersburg, offering a series of intimate snapshots of their relationship as it unfolds over the course of a year. Faced with a hostile political climate, financial difficulties, and often unstable living arrangements, the subjects of this stunning book reveal the possibilities for love in the most uncertain of times. With the fabled city of Saint Petersburg as its backdrop, Lyudmila and Natasha powerfully evokes both a vital place and the people who call it home.Lyudmila and Natasha was designed by Emerson, Wajdowicz Studios (EWS).

Although acceptance of difference is on the rise in America, its the rare gay or lesbian person who has not been demeaned because of his or her sexual orientation, and this experience usually starts at home, among family members.Whether they are excluded from family love and approval, expected to accept second-class status for life, ignored by mainstream arts and entertainment, or abandoned when intervention would make all the difference, gay people are routinely subjected to forms of psychological and physical abuse unknown to many straight Americans.Familial homophobia, as prizewinning writer and professor Sarah Schulman calls it, is a phenomenon that until now has not had a name but that is very much a part of life for the LGBT community. In the same way that Susan Brownmillers Against Our Will transformed our understanding of rape by moving the stigma from the victim to the perpetrator, Schulmans Ties That Bind calls on us to recognize familial homophobia. She invites us to understand it not as a personal problem but a widespread cultural crisis. She challenges us to take up our responsibilities to intervene without violating families, community, and the state. With devastating examples, Schulman clarifies how abusive treatment of homosexuals at home enables abusive treatment of homosexuals in other relationships as well as in society at large.Ambitious, original, and deeply important, Schulmans book draws on her own experiences, her research, and her activism to probe this complex issuestill very much with us at the start of the twenty-first centuryand to articulate a vision for a more accepting world.