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James Newton Howard's Signs

- A Film Score Guide

Über James Newton Howard's Signs

Released in 2002, M. Night ShyamalanΓÇÖs Signs was the directorΓÇÖs follow-up to The Sixth Sense and Unbreakable, and his third collaboration with composer James Newton Howard. Well received by audiences and critics alike, the film was often cited by reviewers for its music. With its dependence on a single motive, the score is unique in HowardΓÇÖs career, and one of his most effective and haunting works. In James Newton HowardΓÇÖs Signs: A Film Score Guide, Erik Heine provides the first close reading of the composerΓÇÖs work. Heine discusses HowardΓÇÖs musical style and influences, as well as his ability to compose for a variety of genres, acknowledging him as one of the most versatile composers working today. The book shows how early sketches of cues for Signs were developed into the final score, allowing the reader insight into HowardΓÇÖs compositional process. The book also demonstrates how HowardΓÇÖs style is difficult to pigeonhole, since his focus is on serving the needs of the film. Drawing on completed orchestrated scores, as well as other material from the James Newton Howard Archive at the University of Southern California, the level of musical detail provided in this volume is unsurpassed. As a book that addresses HowardΓÇÖs compositional styleΓÇöand the only volume that significantly examines the music in any Shyamalan filmΓÇöJames Newton HowardΓÇÖs Signs: A Film Score Guide will be of interest to music scholars, film scholars, and fans of the composerΓÇÖs work.

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  • Sprache:
  • Englisch
  • ISBN:
  • 9781442256033
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 228
  • Veröffentlicht:
  • 14. Januar 2016
  • Abmessungen:
  • 139x218x20 mm.
  • Gewicht:
  • 302 g.
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Beschreibung von James Newton Howard's Signs

Released in 2002, M. Night ShyamalanΓÇÖs Signs was the directorΓÇÖs follow-up to The Sixth Sense and Unbreakable, and his third collaboration with composer James Newton Howard. Well received by audiences and critics alike, the film was often cited by reviewers for its music. With its dependence on a single motive, the score is unique in HowardΓÇÖs career, and one of his most effective and haunting works. In James Newton HowardΓÇÖs Signs: A Film Score Guide, Erik Heine provides the first close reading of the composerΓÇÖs work. Heine discusses HowardΓÇÖs musical style and influences, as well as his ability to compose for a variety of genres, acknowledging him as one of the most versatile composers working today. The book shows how early sketches of cues for Signs were developed into the final score, allowing the reader insight into HowardΓÇÖs compositional process. The book also demonstrates how HowardΓÇÖs style is difficult to pigeonhole, since his focus is on serving the needs of the film. Drawing on completed orchestrated scores, as well as other material from the James Newton Howard Archive at the University of Southern California, the level of musical detail provided in this volume is unsurpassed. As a book that addresses HowardΓÇÖs compositional styleΓÇöand the only volume that significantly examines the music in any Shyamalan filmΓÇöJames Newton HowardΓÇÖs Signs: A Film Score Guide will be of interest to music scholars, film scholars, and fans of the composerΓÇÖs work.

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