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Notes

von K B Dixon
Über Notes

"Haircut today. Another half-hour with Beth, the stylist, telling me tales of her sullen daughter, Phoebe, and her incontinent Chihuahua, Norman (a depressed and depressing little rescue dog who sleeps curled up in a mouse-colored bed near the shampoo station). Another half-hour of struggling to make small talk-something I do not do very well at all." A daily diary started by the narrator as a sort of orientation experiment, Notes, K. B. Dixon's new novel, follows a single year in the life of obscure composer, photographer, and essayist David Bacon. It offers a compact and comic look at both his world and the world around him. Here in elliptic notes is a snapshot of Bacon's wife, Emily; his perpetually fearful neighbor, Mrs. Hampton; and his continuing struggle with a recalcitrant composition tentatively titled The Coward's Quartet. Here in black and white is the documentary evidence with which one might-if so inclined-confront a conveniently unreliable memory.

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  • Sprache:
  • Englisch
  • ISBN:
  • 9781734675962
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 196
  • Veröffentlicht:
  • 9. März 2020
  • Abmessungen:
  • 140x216x11 mm.
  • Gewicht:
  • 254 g.
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Beschreibung von Notes

"Haircut today. Another half-hour with Beth, the stylist, telling me tales of her sullen daughter, Phoebe, and her incontinent Chihuahua, Norman (a depressed and depressing little rescue dog who sleeps curled up in a mouse-colored bed near the shampoo station). Another half-hour of struggling to make small talk-something I do not do very well at all." A daily diary started by the narrator as a sort of orientation experiment, Notes, K. B. Dixon's new novel, follows a single year in the life of obscure composer, photographer, and essayist David Bacon. It offers a compact and comic look at both his world and the world around him. Here in elliptic notes is a snapshot of Bacon's wife, Emily; his perpetually fearful neighbor, Mrs. Hampton; and his continuing struggle with a recalcitrant composition tentatively titled The Coward's Quartet. Here in black and white is the documentary evidence with which one might-if so inclined-confront a conveniently unreliable memory.

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