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Pedestrian Stories

Über Pedestrian Stories

pedestrian stories (1-3) began as a singular project consisting of the generation of a short story with images produced in/as a durational performance. The project has now developed into a series come to be called, pedestrian stories. Technically, the project involves mostly writing, within constraints. The constraints of which lend itself towards the performative in that a story is to be produced, outside the confines of the artist's domain, within twenty-four hours in which time, the immediate environment and surroundings, the internet, the artist's image archive, and images taken in-situ may become possible players, characters and/or participants in the final production of the piece. Given the twenty-four hour time frame, as a structural apparatus, the series will seek to complete itself in twenty-four stories. For now, there are three and they are here to be read.

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  • Sprache:
  • Englisch
  • ISBN:
  • 9789810791438
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 146
  • Veröffentlicht:
  • 20. Juni 2014
  • Abmessungen:
  • 178x254x10 mm.
  • Gewicht:
  • 263 g.
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Beschreibung von Pedestrian Stories

pedestrian stories (1-3) began as a singular project consisting of the generation of a short story with images produced in/as a durational performance. The project has now developed into a series come to be called, pedestrian stories. Technically, the project involves mostly writing, within constraints. The constraints of which lend itself towards the performative in that a story is to be produced, outside the confines of the artist's domain, within twenty-four hours in which time, the immediate environment and surroundings, the internet, the artist's image archive, and images taken in-situ may become possible players, characters and/or participants in the final production of the piece. Given the twenty-four hour time frame, as a structural apparatus, the series will seek to complete itself in twenty-four stories. For now, there are three and they are here to be read.

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