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The Partisan Counter-Archive

von Gal Kirn
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Über The Partisan Counter-Archive

Mere decades after the dissolution of Yugoslavia, the promise of European democracy seems to be out of joint. What has become of the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav context have tried to eradicate the legacy of partisan and socialist struggles, while Yugonostalgia commodifies the partisan/socialist past. It is against these dominant ¿archives¿ that this book launches the partisan counter-archive, highlighting the symbolic power of artistic works that echo and envision partisan legacy and rupture. It comprises a body of works that emerged either during the people's liberation struggle or in later socialist periods, tracing a counter-archival surplus and revolutionary remainder that invents alternative protocols of remembrance and commemoration. The book covers rich (counter-)archival material ¿ from partisan poems, graphic works and photography, to monuments and films ¿ and ends by describing the recent revisionist un-doing of the partisan past. It contributes to the Yugoslav politico-aesthetical ¿history of the oppressed¿ as an alternative journey to the partisan past that retrieves revolutionary resources from the past for the present.

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  • Sprache:
  • Englisch
  • ISBN:
  • 9783110994957
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 324
  • Veröffentlicht:
  • 18. Juli 2022
  • Abmessungen:
  • 155x23x230 mm.
  • Gewicht:
  • 541 g.

Beschreibung von The Partisan Counter-Archive

Mere decades after the dissolution of Yugoslavia, the promise of European democracy seems to be out of joint. What has become of the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav context have tried to eradicate the legacy of partisan and socialist struggles, while Yugonostalgia commodifies the partisan/socialist past. It is against these dominant ¿archives¿ that this book launches the partisan counter-archive, highlighting the symbolic power of artistic works that echo and envision partisan legacy and rupture. It comprises a body of works that emerged either during the people's liberation struggle or in later socialist periods, tracing a counter-archival surplus and revolutionary remainder that invents alternative protocols of remembrance and commemoration. The book covers rich (counter-)archival material ¿ from partisan poems, graphic works and photography, to monuments and films ¿ and ends by describing the recent revisionist un-doing of the partisan past. It contributes to the Yugoslav politico-aesthetical ¿history of the oppressed¿ as an alternative journey to the partisan past that retrieves revolutionary resources from the past for the present.

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