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Words of a Demolitions Contractor

Über Words of a Demolitions Contractor

The Words of a Demolitions Contractor (originally Propos d'un Entrepreneur de Démolitions), published in 1884, is a collection of articles written by French author Léon Bloy, previously published in the columns of various Parisian journals between the years 1882 and 1884 - the Chat Noir journal principally, but also the Gils Blas, the Figaro, the Nouvelle Revue, and Le Petit Caporal. Selected by the author himself, they represent Léon Bloy at his earliest and fiery best as a thunderous, irascible, intransigent Catholic pamphleteer and polemicist. These are the articles that earned him his reputation, and these are the articles that essentially torpedoed his career. So maligned and hated was he from the start, that his reputation as an author still suffers. But as the dust settles after nearly 150 years, in retrospect, Léon Bloy stands out as a beacon of righteousness, a Parisian Diogenes, shedding the light of his genius and rancor on the ills plaguing Paris and France at the time - during the Belle Epoque and the years leading up to the two world wars. It is hard to discover a writer of such intensity, love and disgust, pathos, anger, and parody - in any language, at any period of time, in the history of Western literature. Imagine the gloom and despair of Dostoevsky, mixed with the prophesy and thunder of an Old Testament prophet, throw in the biting wit of Jonathan Swift - shake it up and let it sit for a minute - and there you have him: Léon Bloy.

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  • Sprache:
  • Englisch
  • ISBN:
  • 9781735477633
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 256
  • Veröffentlicht:
  • 20 Dezember 2020
  • Abmessungen:
  • 127x15x203 mm.
  • Gewicht:
  • 312 g.
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Beschreibung von Words of a Demolitions Contractor

The Words of a Demolitions Contractor (originally Propos d'un Entrepreneur de Démolitions), published in 1884, is a collection of articles written by French author Léon Bloy, previously published in the columns of various Parisian journals between the years 1882 and 1884 - the Chat Noir journal principally, but also the Gils Blas, the Figaro, the Nouvelle Revue, and Le Petit Caporal. Selected by the author himself, they represent Léon Bloy at his earliest and fiery best as a thunderous, irascible, intransigent Catholic pamphleteer and polemicist. These are the articles that earned him his reputation, and these are the articles that essentially torpedoed his career. So maligned and hated was he from the start, that his reputation as an author still suffers. But as the dust settles after nearly 150 years, in retrospect, Léon Bloy stands out as a beacon of righteousness, a Parisian Diogenes, shedding the light of his genius and rancor on the ills plaguing Paris and France at the time - during the Belle Epoque and the years leading up to the two world wars.

It is hard to discover a writer of such intensity, love and disgust, pathos, anger, and parody - in any language, at any period of time, in the history of Western literature. Imagine the gloom and despair of Dostoevsky, mixed with the prophesy and thunder of an Old Testament prophet, throw in the biting wit of Jonathan Swift - shake it up and let it sit for a minute - and there you have him: Léon Bloy.

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