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You, Me, and the Violence

Über You, Me, and the Violence

"Things puppets can do to us: charm, deceive, captivate, fool, trick, remind, amuse, distract, bore, repulse, annoy, puzzle, transport, provoke, fascinate, stand in for, kill." In You, Me, and the Violence, Catherine Taylor ponders the nature of personal and political autonomy, focusing on the surprising juxtaposition of puppetry and military drones. In a book at once politically significant and narratively engaging, Taylor blends genres to question the roles of individuals within society and expose the gritty and emotional underpinnings of the seemingly mechanical process of a remote soldier. From conversations with her own brother about his military experiences to Punch and Judy, from the original tale of Pinocchio to the radio chatter of soldiers in active drone operation, Taylor writes about family, power, and the "theater" of war in a voice both sly and sobering, heartbreaking and hopeful.

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  • Sprache:
  • Englisch
  • ISBN:
  • 9780814254325
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 166
  • Veröffentlicht:
  • 16 September 2017
  • Abmessungen:
  • 216x139x21 mm.
  • Gewicht:
  • 172 g.
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Beschreibung von You, Me, and the Violence

"Things puppets can do to us: charm, deceive, captivate, fool, trick, remind, amuse, distract, bore, repulse, annoy, puzzle, transport, provoke, fascinate, stand in for, kill." In You, Me, and the Violence, Catherine Taylor ponders the nature of personal and political autonomy, focusing on the surprising juxtaposition of puppetry and military drones. In a book at once politically significant and narratively engaging, Taylor blends genres to question the roles of individuals within society and expose the gritty and emotional underpinnings of the seemingly mechanical process of a remote soldier.
From conversations with her own brother about his military experiences to Punch and Judy, from the original tale of Pinocchio to the radio chatter of soldiers in active drone operation, Taylor writes about family, power, and the "theater" of war in a voice both sly and sobering, heartbreaking and hopeful.

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