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A Call from the Shallows

Über A Call from the Shallows

"How with this rage shall beauty hold a plea," Shakespeare writes, "Whose action is no stronger than a flower?" Sunil Iyengar answers the question in this dazzling debut collection with poems of poise, wit, and depth of thought. One seldom reads poetry with such a balanced, almost Augustan, sense of the poetic line and rightness of rhyme. A Call from the Shallows is a pleasure from beginning to end.-Richard Tillinghast The poems in Sunil Iyengar's A Call from the Shallows-classical motifs fixed in contemporary language-display an elegance rarely encountered in an era of professionalized, informal verse, as when his "roses in bloom, astonished at their own / brevity, throng the lip of the tall glass." Iyengar's formidable erudition and shrewd meditations come to life in each carefully constructed line. Even such reassuring comforts as a family home are thrown open, as when "a For Sale sign / sheltered against a fallen pine," announces an "old Colonial free / of any claims to privacy." Iyengar questions all we take for granted, permitting the reader a new way of understanding a confusing, yet, to Iyengar, still promising world, "so that we might transmit pity / instead of loss, defeat, or shame."-Ernest Hilbert, author of Last One Out

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  • Sprache:
  • Englisch
  • ISBN:
  • 9781646628490
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 44
  • Veröffentlicht:
  • 20. Mai 2022
  • Abmessungen:
  • 140x3x216 mm.
  • Gewicht:
  • 70 g.
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Beschreibung von A Call from the Shallows

"How with this rage shall beauty hold a plea," Shakespeare writes, "Whose action is no stronger than a flower?" Sunil Iyengar answers the question in this dazzling debut collection with poems of poise, wit, and depth of thought. One seldom reads poetry with such a balanced, almost Augustan, sense of the poetic line and rightness of rhyme. A Call from the Shallows is a pleasure from beginning to end.-Richard Tillinghast
The poems in Sunil Iyengar's A Call from the Shallows-classical motifs fixed in contemporary language-display an elegance rarely encountered in an era of professionalized, informal verse, as when his "roses in bloom, astonished at their own / brevity, throng the lip of the tall glass." Iyengar's formidable erudition and shrewd meditations come to life in each carefully constructed line. Even such reassuring comforts as a family home are thrown open, as when "a For Sale sign / sheltered against a fallen pine," announces an "old Colonial free / of any claims to privacy." Iyengar questions all we take for granted, permitting the reader a new way of understanding a confusing, yet, to Iyengar, still promising world, "so that we might transmit pity / instead of loss, defeat, or shame."-Ernest Hilbert, author of Last One Out

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