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Cool Limbo

Über Cool Limbo

COOL LIMBO is a series of dazzling portraits that are accessible yet complex, hilarious yet poignant, down-to-earth yet ethereal. Like its cover, which features the title poem's sexy 70's chick lounging-stoned-by the pool (as she neglects the water-winged kids she's supposed to be babysitting), the book is the best kind of party-unofficial, unpretentious, and unabashed. And everyone's there "on plastic lawn furniture...with six packs and lit cigarettes:" From Liz Taylor, Gertrude Stein, and The Golden Girls, to Orpheus, Vanity Smurf, and Stevie Nicks. Poem after poem, these figures somehow mingle with the poet, in the not-so-still life studies of his boisterous family and friends, building a narrative about the departure from suburbia to the big city (from the ghost of a boy to a realized though sometimes-haunted man)-all while commenting on, as Elaine Equi puts it, the "constantly shifting sexual codes" assigned to men and women alike. Few places can you find a poem about a gay porn star that concerns itself with the meaning of objectivity and art just pages after a charged feminist manifesto called "If Hello Kitty Had a Mouth." But beyond that colorful variety of subject and theme, not to mention his mastery of dialogue and what Mark Bibbins calls "devious one-liners," what's most remarkable about this poet in his debut collection is his ability to confront the serious and painful while never abandoning his sharp sense of humor and playful spirit.

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  • Sprache:
  • Englisch
  • ISBN:
  • 9781935520405
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 120
  • Veröffentlicht:
  • 17 Mai 2011
  • Abmessungen:
  • 141x214x8 mm.
  • Gewicht:
  • 174 g.
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Beschreibung von Cool Limbo

COOL LIMBO is a series of dazzling portraits that are accessible yet complex, hilarious yet poignant, down-to-earth yet ethereal. Like its cover, which features the title poem's sexy 70's chick lounging-stoned-by the pool (as she neglects the water-winged kids she's supposed to be babysitting), the book is the best kind of party-unofficial, unpretentious, and unabashed. And everyone's there "on plastic lawn furniture...with six packs and lit cigarettes:" From Liz Taylor, Gertrude Stein, and The Golden Girls, to Orpheus, Vanity Smurf, and Stevie Nicks. Poem after poem, these figures somehow mingle with the poet, in the not-so-still life studies of his boisterous family and friends, building a narrative about the departure from suburbia to the big city (from the ghost of a boy to a realized though sometimes-haunted man)-all while commenting on, as Elaine Equi puts it, the "constantly shifting sexual codes" assigned to men and women alike. Few places can you find a poem about a gay porn star that concerns itself with the meaning of objectivity and art just pages after a charged feminist manifesto called "If Hello Kitty Had a Mouth." But beyond that colorful variety of subject and theme, not to mention his mastery of dialogue and what Mark Bibbins calls "devious one-liners," what's most remarkable about this poet in his debut collection is his ability to confront the serious and painful while never abandoning his sharp sense of humor and playful spirit.

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