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F. W. Ferling's 48 Studies for Oboe, Op. 31

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Über F. W. Ferling's 48 Studies for Oboe, Op. 31

This book represents the first comprehensive scholarly study of F. W. Ferling¿s (1796-1874) "48 Studies for Oboe." It provides information on Ferling as a performer and composer, a detailed description of all his known compositions, and emphasizes the significance of the 48 Studies in modern instrumental training. The author situates the piece within the historical evolution of nineteenth-century didactic works, explores its key editions, identifies its initial publisher, and specifies the date of its original publication. The critical edition and report are followed by a discussion on several performance-practice issues, drawing from both modern scholarship and nineteenth-century pedagogical material. This book is tailored for performers, teachers, students, and scholars. By melding a scholarly editorial approach with a performer¿s insight, the author offers a captivating critical perspective on the Studies. Particularly intriguing are the questions raised about whether (and which) didactic material might be performed and the potential tensions between a historically-informed approach to performance practice and the pedagogic value of such compositions.

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  • Sprache:
  • Englisch
  • ISBN:
  • 9786200116253
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 464
  • Veröffentlicht:
  • 29. November 2023
  • Abmessungen:
  • 150x28x220 mm.
  • Gewicht:
  • 709 g.
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Beschreibung von F. W. Ferling's 48 Studies for Oboe, Op. 31

This book represents the first comprehensive scholarly study of F. W. Ferling¿s (1796-1874) "48 Studies for Oboe." It provides information on Ferling as a performer and composer, a detailed description of all his known compositions, and emphasizes the significance of the 48 Studies in modern instrumental training. The author situates the piece within the historical evolution of nineteenth-century didactic works, explores its key editions, identifies its initial publisher, and specifies the date of its original publication. The critical edition and report are followed by a discussion on several performance-practice issues, drawing from both modern scholarship and nineteenth-century pedagogical material. This book is tailored for performers, teachers, students, and scholars. By melding a scholarly editorial approach with a performer¿s insight, the author offers a captivating critical perspective on the Studies. Particularly intriguing are the questions raised about whether (and which) didactic material might be performed and the potential tensions between a historically-informed approach to performance practice and the pedagogic value of such compositions.

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