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Fedor Khitruk

enthalten in Focus Animation-Reihe

Über Fedor Khitruk

This book is a first and long-awaited study of the directorial work of the animation master Fëdor Khitruk (1917-2012), an artist who formed in the tradition of classical cel animation only to break the conventions once he turned into a director; a liaison between artists and authorities; a personality who promoted daring films to be created in the Soviet Union dominated by socialist realism; and a teacher and supporter of young artists that continued to carry on his legacy long after the Soviet empire collapsed. Fëdor Khitruk: A Look at Soviet Animation through the Work of One Master reveals Khitruk's mastery in the art of the moving image and his critical role as a director of films that changed the look of Soviet animation and its relation to the animation world within and beyond the Eastern Bloc. Based on archival research, personal interviews, published memoirs, and perceptive analyses of Khitruk's production of films for children and adults, this study is a must-read for scholars in Soviet art and culture as well as readers fascinated by traditional animation art.

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  • Sprache:
  • Unbekannt
  • ISBN:
  • 9781032022574
  • Einband:
  • Gebundene Ausgabe
  • Seitenzahl:
  • 176
  • Veröffentlicht:
  • 8. August 2023
  • Abmessungen:
  • 223x17x144 mm.
  • Gewicht:
  • 334 g.
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  Versandfertig in 3-4 Wochen.
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Beschreibung von Fedor Khitruk

This book is a first and long-awaited study of the directorial work of the animation master Fëdor Khitruk (1917-2012), an artist who formed in the tradition of classical cel animation only to break the conventions once he turned into a director; a liaison between artists and authorities; a personality who promoted daring films to be created in the Soviet Union dominated by socialist realism; and a teacher and supporter of young artists that continued to carry on his legacy long after the Soviet empire collapsed.
Fëdor Khitruk: A Look at Soviet Animation through the Work of One Master reveals Khitruk's mastery in the art of the moving image and his critical role as a director of films that changed the look of Soviet animation and its relation to the animation world within and beyond the Eastern Bloc. Based on archival research, personal interviews, published memoirs, and perceptive analyses of Khitruk's production of films for children and adults, this study is a must-read for scholars in Soviet art and culture as well as readers fascinated by traditional animation art.

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