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STEIDL-WERK No.31: GHOSTS IN THE MACHINE

Über STEIDL-WERK No.31: GHOSTS IN THE MACHINE

STEIDL-WERK No.31: GHOSTS IN THE MACHINE is Theseus Chan and Gerhard Steidl's latest adventure in redefining what constitutes a book. The normal starting-point for any book is blank sheets of paper, yet for STEIDL-WERK No.31 that is not the case. Instead, Chan and Steidl have taken already printed "make-ready" sheets from a recent Steidl book-the sheets produced on press while the printing plates build up the right levels of ink to deliver optimal results. Each make-ready sheet shows a different collection of inks and they are normally discarded; here they are the very heart of the book. On top of these sheets (fed into the press in a random order) is printed a new series of Chan's ink drawings-shifting, bleeding, abstract forms or "ghosts," which interact with the underlying images and texts in unpredictable ways. The result is an experiment with technical and optical accidents; each book in the edition, like Chan's drawings, is unique. Presented in a cardboard box with ten posters, ten postcards and a zine, as well as a copy of Steidl Magazine No.7 edited by Chan, STEIDL-WERK No.31 is a treasure trove of offset innovation. Limited edition of 500

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  • Sprache:
  • Englisch
  • ISBN:
  • 9783969992524
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 232
  • Veröffentlicht:
  • 27. Juni 2024
  • Abmessungen:
  • 271x71x343 mm.
  • Gewicht:
  • 2562 g.
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Beschreibung von STEIDL-WERK No.31: GHOSTS IN THE MACHINE

STEIDL-WERK No.31: GHOSTS IN THE MACHINE is Theseus Chan and Gerhard Steidl's latest adventure in redefining what constitutes a book. The normal starting-point for any book is blank sheets of paper, yet for STEIDL-WERK No.31 that is not the case. Instead, Chan and Steidl have taken already printed "make-ready" sheets from a recent Steidl book-the sheets produced on press while the printing plates build up the right levels of ink to deliver optimal results. Each make-ready sheet shows a different collection of inks and they are normally discarded; here they are the very heart of the book. On top of these sheets (fed into the press in a random order) is printed a new series of Chan's ink drawings-shifting, bleeding, abstract forms or "ghosts," which interact with the underlying images and texts in unpredictable ways. The result is an experiment with technical and optical accidents; each book in the edition, like Chan's drawings, is unique. Presented in a cardboard box with ten posters, ten postcards and a zine, as well as a copy of Steidl Magazine No.7 edited by Chan, STEIDL-WERK No.31 is a treasure trove of offset innovation.
Limited edition of 500

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